BABYMONSTER's BABYMONS7ER: "Sheesh"
BABYMONS7ER: A Deep Dive into BABYMONSTER's Debut Mini Album
In the ever-evolving landscape of pop music, YG Entertainment's latest export, BABYMONSTER, has captured the global spotlight with their debut mini album, "BABYMONS7ER." This move not only strategizes to build upon the mammoth success of predecessors like BLACKPINK and 2NE1 but also aims to cement BABYMONSTER's position as the next international sensation. The anticipation around their launch has set new records, showcasing the immense power YG Entertainment wields in shaping the narratives of K-pop's global reach. Notably, the debut has generated buzz for its eclectic mix of tracks, promising a blend of genres and showcasing the group’s versatility.
"BABYMONS7ER," from the announcement of the mini album to its track list, key songs, and commercial performance, offering a comprehensive overview. It will explore the significance of tracks like "Sheesh" and "Stuck In The Middle," analyze the album's impact on charts such as Hanteo, and discuss its editions and the critical reception it garnered. Furthermore, the role of the album in establishing BABYMONSTER as a formidable presence in the highly competitive music industry, achieving record-breaking first-week sales and marking their entry as a rookie girl group with global success potential, will be underscored. Through this journey, the transformative power of YG Entertainment's latest creation in the music scene will be highlighted, underpinning the ambition and talent that "BABYMONS7ER" represents.
BABYMONS7ER
Type
Mini
Artist
BABYMONSTER
Released
April 1, 2024
Format(s)
CD, tag album, download, streaming
Recorded
2023–2024
Genre
Dance, hip-hop, trap, EDM, pop, pop ballad, ballad, R&B
Length
19:58
Label(s)
YG Entertainment
Distributor(s)
YG PLUS
Producer(s)
Charlie Puth, Count Baldor (track 3)
Track list
"Monsters (Intro)" - 0:44
"Sheesh" - 2:50
"Like That" - 2:48
"Stuck In The Middle (7 ver.)" - 4:06
"Batter Up (7 ver.)" - 3:08
"Dream" - 3:03
"Stuck In The Middle (Remix)" - 3:19
Background of BABYMONSTER
Formation and Early Years
The concept of BABYMONSTER had been brewing for a considerable time before it materialized into reality. YG Entertainment, a powerhouse in the K-pop industry, had secured the rights to the names "BabyMonster" and "Bayon" as early as 2020, indicating their long-term plans for this new group. The journey to their debut was meticulously chronicled through a reality show titled "Last Evaluation," which aired on their YouTube channel earlier this year. This show not only highlighted the monthly training evaluations but also added a dramatic flair with statements from YG's founder, Yang Hyun-suk, who initially claimed the group would not be limited to seven members, thereby keeping the final lineup suspenseful until the official announcement.
YG Entertainment's Role
YG Entertainment's strategic development of BABYMONSTER began much earlier than their public debut, with auditions and training starting as far back as 2018. The label attracted young talents from various countries, some of whom entered the training program at the tender age of ten. These trainees underwent an extensive preparation period averaging four to five years, competing against thousands of others in highly competitive auditions. The final lineup included seven members from diverse backgrounds, including three South Koreans, two Japanese, and two Thais, reflecting the global aspirations of YG Entertainment for BABYMONSTER. The selection process was not only rigorous but also public, as showcased in the reality series "Last Evaluation," where industry veterans like Lee Su-hyun of AKMU and members of Winner participated as judges. This meticulous grooming and strategic marketing underscore YG Entertainment's significant role in shaping BABYMONSTER into a promising global act.
Announcement of the Mini Album
YG Entertainment electrified the music scene with the announcement of BABYMONSTER's debut mini album, "BABYMONS7ER." Scheduled for release at midnight on April 1st, the album title cleverly incorporates a '7' to represent the seven members. This announcement was accompanied by striking individual posters of members RUKA and RORA, each showcasing unique vintage denim outfits that highlighted their distinct personalities and style.
Initial Teasers
The teaser campaign began with the unveiling of individual posters on YG Entertainment's official blog, starting with members RUKA and RORA. RUKA was portrayed in a charismatic ensemble of a jacket and boots, while RORA's look was complemented with fur warmers and a flashy leather belt. These visuals set a mysterious, yet intense tone, heightening anticipation for the musical diversity that the album promised.
Ahyeon's Return
A significant update in the group's dynamic was the return of Ahyeon, who had previously been absent due to health concerns. Yang Hyun Suk, in a surprise announcement video, confirmed her participation in the upcoming mini album. This news was well-received, as her return was expected to add a fresh layer of synergy to the group's performance. Ahyeon's involvement was crucial, not only for the mini album but also for the re-recording of their earlier singles, "BATTER UP" and "Stuck In The Middle," which would now feature all seven members.
Track List Overview
The debut mini-album "BABYMONS7ER" from YG Entertainment's rookie girl group, BABYMONSTER, showcases a diverse and vibrant tracklist. The album features seven tracks, starting with "MONSTER (Intro)," which sets a powerful tone for the album, symbolizing the group's global aspirations . The list includes the title track "SHEESH," a darker evolution of their debut single "BATTER UP," alongside other songs like "LIKE THAT," "Stuck In The Middle," "BATTER UP," "DREAM," and a remix of "Stuck in the Middle".
Interestingly, "LIKE THAT" holds a special backstory as it was gifted to the group by American singer-songwriter Charlie Puth after he was impressed by member AHYEON's cover of his song "Dangerously". This track, along with the others, highlights the group's vocal and stylistic versatility.
The album also marks the return of member AHYEON, whose vocals have been added to the re-recordings of "BATTER UP" and "Stuck in the Middle," ensuring that all seven members are featured . Additionally, "DREAM," a song from their pre-debut show "LAST EVALUATION," has been officially released through this album, adding a layer of nostalgia for fans who followed their journey from the beginning.
Despite the absence of Teddy, a prolific producer known for his work with BLACKPINK and 2NE1, the tracks have seen significant contributions from CHOICE37, another seasoned YG producer. This collaboration highlights a fresh yet experienced approach in the production of "BABYMONS7ER," promising a unique auditory experience for listeners.
Key Songs Analysis
Sheesh (Title Track)
The track "Sheesh" has sparked mixed reactions, primarily due to its chorus, which many listeners found underwhelming. Critics have pointed out that despite strong vocal performances, the song suffers from a lack of originality, often sounding too reminiscent of previous YG Entertainment productions, notably those by BLACKPINK. The rap sections, while technically proficient, have been criticized for lacking depth and failing to enhance the overall track. This has led to concerns about BABYMONSTER's need for a more distinct musical identity separate from their label predecessors.
Stuck In The Middle (Pre-Release)
"Stuck In The Middle" was released as a pre-debut track and has been described as a dramatic shift from the group's more vibrant debut single "Batter Up". The song, characterized by its ballad style, has received a lukewarm reception, with some critics labeling it as dull and lacking in memorable qualities. The track's structure has been critiqued for not building sufficiently towards a climactic end, leaving listeners wanting more from the musical arrangement. Despite this, the decision to release such a subdued song early in BABYMONSTER's career has been praised by some for its deviation from the typical energetic debuts of YG's previous girl groups.
Commercial Performance
Sales Records
BABYMONSTER's debut with "BABYMONS7ER" set new benchmarks in the K-pop industry by achieving the highest first-week album sales ever recorded for a K-pop girl group. The album sold over 400,000 copies in its first week, surpassing previous records and marking a significant milestone in their career . This achievement not only underscores the group's popularity but also reflects the strong market presence of YG Entertainment's new generation of artists.
Chart Performances
The commercial success of "BABYMONS7ER" extended to various music charts globally. The lead single "SHEESH" quickly climbed the Billboard Global 200 chart and secured the top position on YouTube's global music video ranking with over 100 million views shortly after its release. Additionally, the track "BATTER UP" demonstrated the group's strong digital footprint by debuting at No. 5 on Billboard's World Digital Song Sales chart and ranking #1 on iTunes in 21 countries. The album's tracks consistently performed well, indicating a growing global fanbase and the organic rise of BABYMONSTER on international music charts.
Album Versions and Editions
Photobook Version
The Photobook Version of BABYMONS7ER's debut mini album includes a comprehensive package that features a large photobook spanning 68 pages and a smaller, 36-page version. This edition also comes with a folded poster, a clear sticker, an accordion postcard, and three randomly selected selfie photocards out of a possible fourteen, alongside the CD itself. The richness of this version is highlighted by its extensive photographic content, providing fans with a deeper visual experience of the group.
Tag Albums
The Tag Album version offers a unique collector's experience, available in seven different versions, each corresponding to a member of BABYMONSTER. Each version includes specific member-focused content, enhancing the personal connection between the fans and the members. Notably, the album also includes a set of photocards, adding to its collectibility. This version is particularly appealing for those who appreciate a more personalized touch in their memorabilia.
The availability of these editions underscores YG Entertainment's strategy to cater to diverse fan preferences, ensuring that each supporter can engage with the music and the group in a way that feels most personal and satisfying.
Critical Reception
Critics' Reviews
The debut of BABYMONS7ER has elicited a variety of responses from music critics, some of whom have praised the vocal performances, particularly noting the potential in tracks like "Batter Up". However, there has been a consensus that the album, while showcasing strong vocals, tends to follow a predictable pattern reminiscent of previous YG Entertainment productions, lacking distinctiveness. The ballad "Stuck in the Middle" received mixed reviews, with some critics appreciating its deviation from typical energetic debuts, yet others criticized it for being underwhelming and not building up sufficiently.
Fan Reactions
Fan reactions to BABYMONS7ER have been equally mixed. Some fans expressed excitement over the group's vocal range and the inclusion of tracks gifted by notable artists like Charlie Puth. Others were less impressed, describing some songs as "boring" and "cheesy," and expressing disappointment over the lack of originality and the overly safe approach in song selection. The track "Stuck in the Middle" was specifically pointed out by fans for not meeting expectations, with some describing it as a missed opportunity to showcase the group's unique capabilities.
BABYMONSTER - ‘SHEESH’ M/V
BABYMONSTER - SHEESH (Romanized) Lyrics
[Intro: Rora & Pharita]
Da-la-lun-dun
Da-la-lun-dun
Da-la-lun-dun
Baby, I'ma monster
[Verse 1: Chiquita & Rora]
Mano, a mano
I see you in slow-mo
You know you're in trouble
Ooh-hoo-hoo-hoo
Balbeodung chyeobwa
Eochapi sonbadak
Wieseo mot naga
You know that
[Pre-Chorus: Rami & Pharita]
Nuneul tteun sungan
Pieona
All eyes on me, bureul jilleora
Do or die
On my life
Yeah, you ain't seen nothing yet
[Chorus: Ahyeon & Chiquita]
Got them all going
Sheesh, sheesh
Sheesh, sheesh, sheesh, yeah
B-A-B-Y-M-O-N
Sheesh, sheesh
Sheesh, sheesh, sheesh, yeah
Got them all going
[Verse 2: Ruka, Ahyeon, Ruka & Ahyeon]
Yo, hold on shwit
Gyang deuribueora ne dalpaengigwane
Igeon ne gwie jul chukbok
Eumage matchwo gyang chum chwo
Hibiri hop-hop, boom, boom, pow
Bunwigi taolla neonedeul nun dora
Ttinghani jeokjani chunggyeogil geoya
Crown this queen
Homneoneun chyeotgo nae daеumeun wi
Eojungitteojungi junggan anim
Nal bogo datyeotdеon ipdeul say
Sheesh, sheesh, sheesh
[Verse 3: Asa]
You know what it is
I be running this
Pull up in a ghost
Peek a, peek a boo, hoo
Vroom, vroom
Neone simjange bakdongi, pump, pump, pop
Pedal to the metal
Click, clack, click
Put 'em up to the sky
High, high, high, high
[Pre-Chorus: Pharita & Rami]
Nuneul tteun sungan
Pieona
All eyes on me, bureul jilleora
Do or die
On my life
Yeah, you ain't seen nothing yet
[Chorus: Ruka & Asa]
Got them all going
Sheesh, sheesh
Sheesh, sheesh, sheesh, yeah
B-A-B-Y-M-O-N
Sheesh, sheesh
Sheesh, sheesh, sheesh, yeah
Got them all going
[Bridge: Rora & Rami]
Maeumkkeot useobwa
Ijen nae charyenikka
Cheoncheonhi bultaewo nega jamdeun sai
[Post-Bridge: Asa, Pharita & Ahyeon]
Time’s up
Ollaga ollaga deo
Kkokdaegi kkokdaegiro
Haneul wi haneul wiro
Fly away
On sesangeul dwijibeo
Come on, let's ride
[Interlude: Ahyeon]
Baby, I'ma monster
[Refrain: Chiquita, Pharita & All]
B-A-B-Y-M-O-N
Tell a friend, tell a friend, tell a friend
B-A-B-Y-M-O-N
Tell a friend, tell a friend, tell a friend (Let's go)
[Outro: All]
Jump, jump and let it go
Watch out we on a roll
Rum, pump, pump, pump it up then
Jump, jump and let it go
Watch out we on a roll
Rum, pump, pump, pump it up then
Conclusion
Navigating through the debut of BABYMONSTER's mini album "BABYMONS7ER" has unveiled the strategic craftsmanship and global aspirations embedded by YG Entertainment. Particularly, the album’s divergence in musical experimentation, along with its record-breaking sales, underscores the group's promising trajectory in the music industry. From the eclectic tracks emphasizing their vocal dexterity and stylistic versatility to the notable feedback from fans and critics alike, it's evident that BABYMONS7ER is not just an album but a landmark in K-pop's ever-expanding global narrative. Certainly, the strategic unveiling and the multicultural makeup of BABYMONSTER signal a new era of K-pop, reiterating YG Entertainment's prowess in shaping next-generation icons.
Looking ahead, the intricate balance of acclaim and critique that has greeted "BABYMONS7ER" points towards a future filled with both challenges and opportunities for BABYMONSTER. The call for a distinct musical identity, alongside the anticipation for what lies beyond their debut, suggests a burgeoning path that will likely be marked by evolution and innovation. As BABYMONS7ER makes its mark, it invites further scrutiny, dialogue, and ultimately, fandom, paving the way for an exciting chapter in the story of BABYMONSTER and K-pop at large. The journey of BABYMONS7ER, characterized by a fusion of talent, strategy, and ambition, indeed heralds the arrival of new idols on the global stage, promising a vibrant continuation of the legacy that YG Entertainment has fostered over the years.
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